HomeMy WebLinkAboutarea-rFORM A - AREA
MASSACHUSETTS HISTORICAL COMISSION
294 Washington Street, Boston, MA. 02108
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Form numbers in this area Area letter
526-542 R
Lexington
f area (if any) Moon Hill
1 date or period late 1940s
Sketch map. Draw a general map of the area indicating properties within it.
Number each property for which individual inventory forms have been completed.
Label streets (including route numbers, if any) and indicate north. (Attach a
separate sheet if space here is not sufficient)
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Recorded by Nancy S. seasholes
OrganizationLexington Historical Commission
Date February, 1984
(Staple additional sheets here)
ARCHITECTURAL SIGNIFICANCE of area.(Describe physical setting, general character,
and architecturally significant structures).
Designed by The Architects Collaborative (TAC), Walter Gropius' firm, as a
coherent community of individually designed and well -sited contemporary houses,
Moon Hill is in sharp contrast to most post -World War II tract housing
developments. Most of Moon Hill is on a ridge with rocky outcrops and oak and
pine woods. The houses were sited so as to retain the rural character of the
property, disturb the land as little as possible, and take maximum advantage of
the views. In order to maintain design coherence, similar exterior finishes were
used throughout: flat or shed roofs with a standard overhang and roof joist
spacing; white fascia boards and copper roof edges; vertical redwood or cypress
siding; and casement and large fixed glass windows set in sub frames, eliminating
the need for window trim. These elements plus the strong horizontal lines and
use of natural colors reflect the influence of the International Style.
The interior plan was determined by the needs of the individual client and
by TAC's explicit desire to design homes for servantless families with children.
(see Continuation Sheet)
HISTORICAL SIGNIFICANCE of area. (Explain development of area, what caused it,
and how it affected community; be specific).
Six Moon Hill, as this development was originally called, was begun in
1948 by The Architects Collaborative (TAC), a Cambridge firm founded in 1948 by
Walter Gropius and seven young architects: Jean Bodman Fletcher, Norman Fletcher,
John Harkness, Sarah Harkness, Robert S. McMillan, Louis McMillan, and Benjamin
Thompson. The original objective was to provide housing for the TAC architects
and their families as well as work for the new firm (Richard Morehouse, personal
communication), but the project was also conceived as an experiment in community
living. TAC believed that "cooperative principles were important" (Gropius et al.
1966:41) and wanted to create "a genuine neighborhood of well-designed houses in
the cooperative spirit" (TAC microfilm). A search was made for a site in the
— Boston area and one of 20 acres was located on a hill in Lexington. In addition
to its unspoiled natural beauty, the site had other advantages: in a town with
good government and good schools, half a mile from an elementary school and a
shopping center, two miles to Lexington Center, 15 minutes from Harvard Square,
one mile to the East Lexington station, easy access to both city and country,
surrounded by an area zoned for single family houses, and protected by its
hilltop location from traffic but open to vistas and fresh air (TAC microfilm).
The former owner had left six 1920s Moon cars in a garage on the property; hence,
TAC named it Six Moon Hill.
= All the TAC architects except Gropius, who already had a house in Lincoln,
Massachusetts, joined with seven other university families to develop the land.
Because Massachusetts law prevented the establishment of a true co-op and the
AIA code of ethics forbade architects to participate directly in development, a
(see Continuation Sheet)
BIBLIOGRAPHY and/or REFERENCES
Gropius, Walter et al., editors. 1966. The Architects Collaborative: 1945-1965,
pp. 37-47. Switzerland: Arthur Niggli Ltd.
"Groupe d'habitation pres de Boston." L'architecture d'aujourd'hui 28, February
1950, pp. 34-39, 110-111.
Reinhardt, E.W. "The Architect Designed Development: Two Prototypes and their
Implications." Paper prepared for FA798, Boston University, May 6, 1974.
(see Continuation Sheet)
2M-6/80
INVENTORY FORM CONTINUATION SHEET
MASSACHUSETTS HISTORICAL COWIISSION
Office of the Secretary, Boston
Community:
Lexington
Form No:
R
Property Name: Moon Hill
Indicate each item on inventory form which is being continued below.
ARCHITECTURAL SIGNIFICANCE
Thus, kitchen, dining, and play spaces were often integrated to facilitate the
supervision of small children, and service entrances were often eliminated. To
meet the demand for more space for less money, spaces were designed for multiple
uses and, because excavation was necessary to at least the four -foot frost line,
half basements were often used. Large panes of glass were extensively employed
to increase the sense of space, maintain contact with the outdoors, and take
advantage of the superlative views. Cinder block walls and cement floors were
used to cut costs and radiant heat installed in the ceilings or the cement
floors.
In addition to these design innovations, the Moon Hill houses also employed
some new architectural elements. As a result of research TAC conducted for Rohm
and Haas Company of Philadelphia, who wanted a peacetime use for plexiglass
developed during the war for bomber turrets and noses, the houses pioneered the
use of bubble skylights in varying sizes. Other innovations were the use of
sliding glass doors in wood frames and overhead glass doozs on garage
door hardware.
A number of architecturally significant structures exist in Moon Hill. An
earlier survey started to inventory every house, beginning at the top of the
hill; the present survey has added comments on or new forms for houses that were
designed by the original members of TAC and/or that have been published.
HISTORICAL SIGNIFICANCE
nonprofit corporation was formed to put in a road, utilities, and sell lots.
Because it was the least expensive alternative and restricted the volume of
traffic, a cul-de-sac road was built up the middle of the site, which was divided
into 29 half -acre lots with four acres of common land. in keeping with the
cooperative principles, the house sites were equally priced and the first 12 were
assigned according to numbers drawn from a hat. Purchase of a lot entitled the
owners to two votes in the corporation and required building within two years and
using the services,of a resident architect. Any later modifications were to be
approved by a community board and members of the corporation were to have right
of first refusal on any sales. All but two of the present 28 houses on Moon Hill
have been designed by TAC architects (15 and 21 Moon Hill Road were designed by
William Haible) and the addition and sale restrictions are still in effect though
informally applied. In the early years of Moon Hill the corporation decided to
build a community swimming pool; the corporation now sets policy on issues
affecting the neighborhood,
Moon Hill today remains an enclave of contemporary houses that has had
little architectural affect on Lexington except that it prompted TAC to develop
Five Fields, another community of contemporary houses.in the same town (see Five
Fields area form).
Staple to Inventory form at bottom
INVENTORY FORM CONTINUATION SHEET
MASSACHUSETTS HISTORICAL CCKU SSION
Office of the Secretary, Boston
Community:
Lexington
Form No:
R
Property Name: Moon Hill
Indicate each item on inventory form which is being continued below.
BIBLIOGRAPHY and/or REFERENCES
"Six Moon Hill." Architectural Forum 92(6), June 1950, pp. 113-123.
TAC Job Files 4803. Microfilm on file at TAC Library, Cambridge, Massachusetts.
"Ten Great Places to Live." Esquire, December 1965, pp. 223, 260, 262.
"The Good Life, Inc." Vogue, February 1, 1954, pp. 149, 194-195.
Staple to Inventory form at bottom
INVENTORY FORM CONTINUATION SHEET
MASSACHUSETTS HISTORICAL COMMISSION
MASSACHUSETTS ARCHIVES BUILDING
220 MORRISSEY BOULEVARD
BOSTON, MASSACHUSETTS 02125
DATA SHEET
AREA R
SIX MOON HILL
Town Property Address
LEXINGTON SIX MOON HILL
Area(s) FormNo.
®�
MHC
Address
Name
Style
Architect/Builder (if known)
Date
1 Moon Hill Road
Contemporary
4 Moon Hill Road
Contemporary
5 Moon Hill Road
Contemporary
526
6 Moon Hill Road
Fletcher Ashley House
Contemporary
Richard S. Morehouse (TAC)
1950
7 Moon Hill Road
Contemporary
527
10 Moon Hill Road
Morton Sills House
Contemporary
The Architects Collaborative
(TAC)
1948
11 Moon Hill Road
Contemporary
12 Moon Hill Road
Contemporary
14 Moon Hill Road
Robert Gallagher
House
Contemporary
1949
15 Moon Hill Road
Contemporary
528
16 Moon Hill Road
Leonard J. Currie
House
Contemporary
Leonard J. Currie (TAC)
c.1948
529
17 Moon Hill Road
Louis McMillan
House
Contemporary
Louis McMillan (TAC)
c.1948
21 Moon Hill Road
Contemporary
530
25 Moon Hill Road
Donald T. Clark House
Contemporary
TAC
1947
531
28 Moon Hill Road
Waldo Elmer House
Contemporary
TAC
1948
532
29 Moon Hill Road
Eric T. Clarke House
Contemporary
TAC
1948
533
31 Moon Hill Road
Dr. Edwin O. Wheeler
House
Contemporary
TAC
1948
534
32 Moon Hill Road
Herbert Stewart House
Contemporary
TAC
1948
535
33 Moon Hill Road
Arthur Kipp House
Contemporary
TAC
1948
536
34 Moon Hill Road
Sarah & John
Harkness House
Contemporary
Sarah & John Harkness (TAC)
1948
537
35 Moon Hill Road
Wallace E. Howell
House
Contemporary
TAC
1948
538
36 Moon Hill Road
Norman & Jean
Fletcher House
Contemporary
Norman & Jean Fletcher
(TAC)
1948
539
37 Moon Hill Road
Richard S. Morehouse
House
Contemporary
Richard S. Morehouse (TAC)
1950
540
38 Moon Hill Road
Robert S. McMillan
House
Contemporary
Robert McMillan (TAC)
1948
541
39 Moon Hill Road
Saul G. Cohen House
Contem or
TAC
1948
542
40 Moon Hill Road
Benjamin Thompson
House
Contemporary
Benjamin Thompson (TAC)
1948
16 Swan Lane
Contemporary
24 Swan Lane
Contemporary