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ARCHITECTURAL SIGNIFICANCE (Describe important architectural features and <br /> evaluate in terms of other buildings within the community.) <br /> This property is perhaps the finest example of early twentieth century <br /> landscape architecture in Lexington. The almost-three-acre site with extensive <br /> views to the east occupies the crest of Mt. Independence and incorporates the <br /> location of the nineteenth century observation tower. Retaining walls, many of <br /> which are curved, are used extensively to provide a level portion on the rear <br /> (view) side of the house and to landscape the high points to the east and west. <br /> The street side of the property has been fashioned into a formal Italian sunken <br /> (see Continuation Sheet) <br /> HISTORICAL SIGNIFICANCE (Explain the role owners played in local or state <br /> history and how the building relates to the development of the community.) <br /> The house was built in 1919 by Herman Dudley Murphy, an American <br /> impressionist painter. Murphy had lived and worked in Italy. According to <br /> tradition he asked architect, Harold Hathaway, to recreate the Italian Villa <br /> where he had lived in Florence for himself and his second wife. <br /> The property incorporates the site of the observatory on Mt. Independence, <br /> and part of the original carriage road to the summit borders the eastern edge <br /> of the property. About 1834-1835, Eli Robbins, successful East Lexington fur <br /> processor and owner of the site, erected a three-story observatory on Mt. <br /> Independence, laid out drives to and walks around the summit, and connected the <br /> two driveways to the summit by a walk an eighth of a mile long. This walk was <br /> built of two solid stone walls, filled in with gravel, the side toward the <br /> summit had a trellis the whole distance covered with Isabella grapevines <br /> (Proceedings of the Lexington Historical Society, II, p. 179) . This was the <br /> first instance in Lexington of an owner opening his private property for public <br /> use. (The other prominent example is the B.F. Hayes estate, opened to the <br /> public in the late nineteenth century.) The observatory was a popular site, <br /> well used by citizens and strangers. Views in all directions were extensive <br /> and ships could be seen in Boston Harbor. The observatory was the site of a <br /> three day fair in 1839 which raised money for the erection of the Follen Church. <br /> Meals were served on the lower level during the fair, and the Brigade Band <br /> played on the second floor. <br /> According to Dorothy Foster, there was a stand pipe on the site in the <br /> late nineteenth century. <br /> BIBLIOGRAPHY and/or REFERENCES (name of publication, author, date and publisher) <br /> Hudson, Charles. History of the Town of Lexington, revised and continued to <br /> 1912 by the Lexington Historical Society, Volume I, pp. 297, 471. Boston: <br /> Houghton Mifflin Company, 1913. <br /> Newspaper clipping, source unidentified. <br /> Proceedings of the Lexington Historical Society, Volume II. Lexington: Lexington <br /> Historical Society, 1900. <br /> Personal communication from Dorothy Foster. <br /> Personal communication from Mrs. K. Corcoran. <br /> 10M - 7/82 <br />